Prometheus (2012) Film Review

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I recall when this came out earlier in the year, it was panned. Film Fandango, a podcast I listen to from Absolute Radio in the UK totally ripped into it, and listening to their discussion of the appallingness of the film totally put me off watching it. Plus, it’s not my genre – sci fi with some suspense. Most thrillers kill me. But, recently I decided to try to watch all of the films that have been nominated for Oscars – I’ve never done it before, and can’t explain why it matters to me this time, given that I hold little truck for the Oscars.

Prometheus is kind of a prequel to Alien. Set in some future world, a couple of archaeologists find evidence that humans were life forms created by an alien race. They are sent to a particular star system with a crew to try to meet these life forms and get answers. But, once on the planet, things turn awry. There are freaky snake creatures and the man archaeologist gets really sick so they burn him, but he comes back. Then the lady archeologist who had sex with the man archaeologist is now pregnant with some creature, so goes into a weird self-serve surgery capsule and has the creature removed, and after being stapled up, she’s well enough to continue running around the place. It’s totally absurd and annoying and weird.

The only thing more absurd than the plot of this film is the fact the Guy Pearce turns up with a crazy amount of make-up on to be the old man who is the founder of the company that owns the ship they are travelling in. Given his brilliant talent and the high standard of his usual films, this is a shock.

Prometheus was nominated for an Oscar for Visual Effects, and that’s fair enough. It might be a crap film, but it looked pretty awesome. It was also nominated for a BAFTA for Special Visual Effects.

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