Suzy lives with her family in a mansion at one part of an island called New Penzance. Sam is part of the Khaki Scout summer camp that is based at another part of the island. Neither fit well into their environment, and when they meet, they find in each other a like mind. They run away together with the threat of a massive storm.
Wes Anderson polarizes audiences with his style. I fall into the side that loves his work.
The Royal Tennenbaums was a beautiful and amazing emotional journey and The Darjeeling Limited took a part of my heart. It took a second, and maybe even a third watch of The Life Aquatic with Steve Zissou for me to grow to love it, and I think that Moonrise Kingdom is like that for me.
I will need to walk away for a while, think about it, perhaps forget about it, and watch it again in six months or so. Then, perhaps, I will love it.
As it stands at the moment, it has elements of the other films that I loved which made it feel a bit like a greatest hits. Suzy had the style and the dark eye make-up of Gwyneth Paltrow’s character in the Tennenbaums, and the introduction to the house was reminiscent of the introduction to the submarine in Life Aquatic.
Moonrise Kingdom has, as Anderson always does, a marvelous cast.
It is always wonderful to see Bill Murray, but this film also had the bonus of Bruce Willis, Edward Norton, Harvey Keitel, Jason Schwartzman and the always-wonderful Frances McDormand. On top of this, the new talent in the Kara Hayward and Jared Gilman as the young runaways.
Ask me again when it’s come out on DVD. By then, I’ll probably love it. For the moment, however, it’s far from my favourite Wes Anderson film, but still a film well and truly worth seeing.
Wes Anderson & Roman Coppola were nominated for an Oscar for Writing (Original Screenplay)