Kay Graham (Meryl Streep) is the owner of the Washington Post in the early seventies, dropped into the role after the death of her husband who was appointed by her late father. When the opportunity comes to be part of an expose that involves breaking the law and putting her fortune and even her freedom at risk, she is torn between the advice of her board and her editor, Ben Bradlee (Tom Hanks).
It’s a slow start, with a lot of very necessary character and background information, and while I was interested, I wasn’t all that compelled. But as the action heated up, I was on the edge of my seat. I was so tense, feeding from the high energy and stress onscreen. And at the end, I felt down. Looking at the sixties and seventies, people really seemed to care about the government lying to them. Now, it seems that it doesn’t matter. People in power lie blatantly in ways that are easily proven and yet there is no outrage, no consequences. Such a timely film.
The Post was nominated for Golden Globes for Best Motion Picture – Drama, Best Performance by an Actress in a Motion Picture – Drama (Meryl Streep), for Best Performance by an Actor in a Motion Picture – Drama (Tom Hanks), Best Director – Motion Picture (Steven Spielberg), Best Screenplay – Motion Picture (Liz Hannah, Josh Singer) and Best Original Score – Motion Picture (John Wiliams).