Much Ado About Nothing (2012) Film Review

Recently attending an excellent performance of Much Ado About Nothing at the Pop-Up Globe in Melbourne reminded me of my teenage obsession with the Kenneth Branagh adaptation, but on the recent ridiculously hot day which forced much of Melbourne to literally Netflix and chill, I decided finally to watch the Joss Whedon interpretation. Filmed over a couple of weeks in his house, it’s pretty low-key. Black and white, hand-held and set in contemporary times, so little in the way of costumes and finery. And really fun.

It was interesting to see how differently lines can be interpreted, lines which were played for laughs on the stage and played with earnestness in the Branagh version were, in this, more serious, or more ‘natural’, or more cutting. The performances were fast talking – like an Aaron Sorkin script – but conveyed the meaning of the dialogue and the overall theme. The cast was great, though for me the real standouts were Benedick (Alexis Denisof) Beatrice (Amy Acker) and Dogberry (Nathan Fillion), though they are all the most fun and funny roles in the play, so it may also be somewhat my own bias.



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