Camille (Amy Adams) is a journalist unwillingly sent back to her home town to investigate a missing girl. She doesn’t want to return because she has memories of her cruel mother(Patricia Clarkson), her distant father (Henry Czerny), the sister who died (Lulu Wilson) and the sister who remains (Eliza Scanlen). But when the disappearance turns out to be a murder, the tensions become deeper. Haunted by her past (and her present), Camille spirals. Then there’s the sexy out-of-town cop (Chris Messina), the local cop who has a close friendship with Camille’s mother (Matt Craven) and the group of friends who remind Camille of the world she left behind.
This show was compelling, strong performances, beautifully created, and it had this mysterious style which captured the often drunk POV of Camille, along with these sharps cuts and loud, sudden, sharp noises which made the whole thing disjointed and strange.
Sharp Objects by Gillian Flynn
After watching, I wanted to read the book (as is often my want) and it was fascinating to read the source material and see how it had been taken and shaped into the show. Both tell the same story, but in such different ways it was almost like two totally separate projects. Both pretty impressive.