Tris (Shailene Woodley) and Four (Theo James) are in hiding after thwarting the effort of Jeanine (Kate Winslet). They make their way back to the big city, and they have the option of hooking up with another group of rebels. Things get a lot confusing along the way, but there is a box. It opens up if a divergent does a strange challenge type thing. But, no matter how many divergents Jeanine hooks up, they all just keep dying. It’s a real shame. Of course, it has to be Tris who unlocks it. But it is not what they expect… oh, where to next, dystopian future?
I liked it, a lot more than the last couple of Hunger Games films. And I liked the end a lot. I’m interested in seeing more, I want to know where it is all going. I reckon that makes it a somewhat decent flick. But I’m not shouting its greatness from the rooftops, perhaps I’m just a bit over this genre?
Richard Linklater likes to play with the form in his film making, and I really like it. From the recent Boyhood, filmed over eight years, to the Before series(Before Sunrise, Before Sunset, Before Midnight), he’s tried a few different things.
Slacker is one of his really early films. Set around a student area of Austin, Texas, it show vignettes of things happening – or often of things not happening. People talk, people flirt. Strange stuff, extremely mundane stuff. It’s way dated, but charming because it is. Fabulous.
Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) have a steady gig in Vegas, playing the same show they’ve done a thousand times, and crowds are dwindling. Their boss, Doug Munny (James Gandolfini) is urging them to get interesting, like new face on the scene, Steve Gray (Jim Carrey). Gray doesn’t wear a flashy costume, and his tricks are more like endurance events, and tend to be way gross. After a failed attempt to compete, Anton walks away leaving Burt to reassess. And even though his new stage girl, Jane (Olivia Wilde) shows all faith in him, and wants to help him, it takes old-timer Rance Holloway (Alan Arkin) to bring his love of magic back.
Yawn. You know, I love Steve Carell and Jim Carrey, and I love that they get to play ridiculous characters every so often. But it is boring. Expert in something who is at the top of his field gets shafted in some way and falls to pieces, but with the help of a beautiful woman who has absolutely no reason to fall for such a misogynistic ass and a bit of willpower, he claws his way back to the top. It’s the same story as Anchorman, and Blades of Glory, and Zoolander and and and…. Boring. It was a nice touch having Steve Buscemi in it, but you can’t polish a turd. Not even Steve Buscemi can fix this.
For so long, I’ve avoided this for one single reason: I am prepared to cry at a movie. Hey, I cry at all almost every film. I am a film crier. So, give me a film about a family with one daughter who has cancer, who have a second daughter to provide bits and pieces to kept the first daughter alive and the second daughter decides she’s had enough? Ah, the tears!
Actually, I always thought that it might be somewhat cheesy. I suspected it would be, I don’t know. And it probably is, but I totally loved it. It is absolutely a cheesy series of flashbacks and what have you, but it was great. What’s more, it is not just what happens to a sick teenager dealing with life, but what happens to the whole family. The young, donor, sister. The mother, having her entire existence be about keeping her older daughter alive. The father, pained through the constant fight. The brother, all but forgotten.
You know Hercules, Ancient Greek legend, son of Zeus, he did these twelve near impossible labours and was just pretty awesome? So, what if it went a little differently – like that Hercules (Dwayne Johnson) was not actually the son of Zeus, but let everyone believe it to raise the price of his services? (Although he’s also still a good guy, don’t get that side of things wrong. Noble as.) What’s more, he didn’t complete the twelve labours alone – he had the top fighter and seer Amphiaraus (Ian McShane), his mate from school Autolycus (Rufus Sewell) , a slightly nuts feisty thing, Tydeus (Aksel Hennie), Atalanta (Ingrid Bolso Berdal) the Amazon warrior and his nephew Iolaus (Reece Ritchie) who is the storyteller who creates the legend. Then what happens if he gets hired to help Lord Cotys (John Hurt) to teach his men to protect themselves, and Cotys has a daughter and grandson, but nothing is what he expects?
Of course I loved this. It’s a fairly decent twist on Hercules, it has Dwayne Johnson in it, and I love him, and the rest of the cast is pretty tops too. There’s humour, violence and some fabulous slow mo action. Oh, and I’d recommend paying attention during the cool animated closing credits – you get to see how the twelve labours were completed by the team working together.
When Sofia (Amanda Peet) has their baby, Tom (Zach Braff) is forced to face up to the fact that continuing in life getting fired from one job to the next while attempting to write his second novel – that’s not going to take care of the family. So they return to her home town, to her parents Mum (Mia Farrow) and Dad (Charles Grodin) and he starts to work at the advertising company with her dad. Little does he know that he will be working with Chip (Jason Bateman), the horrible, wheelchair ex of Sofia’s.
The cast goes on – there is Josh Charles, Fred Armisen, Amy Poehler I mean really, the director or casting agent or someone must have had some serious favours owing to them to get such a great cast for such a stinking pile of poo. This is one terrible film. It doesn’t work on a humour lever, it doesn’t work for drama, it just does not work. So disappointing – and I got about three-quarters of the way through before I realised that I have seen it before – so no only is it not good, it’s also not memorable.
Thomas (Dylan O’Brien) is suddenly thrust into a strange world. It’s a blocked in garden in the middle of the maze, with a group of boys, teenagers, who are working together to survive. There are maze runners – a group of boys who enter the maze each day hoping to find a way out. Oh, and none of them remember anything from before they appeared in the garden.
It’s great. I do love these dystopian future films, and while I don’t know why there was only one girl in this film (hell, why have one at all? I’m sure that will be answered in one of the sequels, but there seemed to be no reason to have her there). Though I recently also watched Divergent, and I suspect that I will be getting those two somewhat confused. Lots of dark colours and running and the like.