It is some time after the first Kick-Ass. Dave (Aaron Taylor-Johnson) has given up his Kick-Ass activities for his girlfriend, but they break up fairly quickly. Mindy (Chloe Grace Moretz) is living with her dad, Detective Marcus Williams (Morris Chestnut) and, after being sprung training with Dave, vows to give up the superhero life. Then a bunch of popular kids shame her and she vows vengeance. Meanwhile, Dave has hooked up with a group of other folks playing at superhero, and Chris D’Amico (Christopher Mintz-Plasse) after accidentally killing his mother in a most magnificent manner, decides that he wants to be the most evil supervillain.
It’s as violent, gory, gross and magnificent, still funny, not quite the charm of the first film, but still worth a look.
Dave Lizewski (Aaron Taylor-Johnson) was a really normal, somewhat geeky guy, loving comic books and wondering about the state of the world. So, he becomes Kick-Ass – a real life comic hero. But when things get real, he needs to be saved by some real superheroes: Big Daddy (Nicholas Cage) and his eleven-year-old daughter Hit Girl (Chloe Grace Moretz). But they have an ultimate goal – to get the king pin who ruined their life, Frank D’Amico (Mark Strong). D’Amico’s son, Chris (Christopher Mintz-Plasse) offers to help, but things get out of control. And then they must… Kick Ass.
The film got a lot of flack from many sides for having an eleven-year-old killing people left right and centre and using very foul language, but dammit – it’s great. Very violent and gruesome, but very, very funny and ace.
A teenage John Lennon, pre-Beatles, lives with his aunt, gets in trouble a lot and tries to resolve his relationship with his mother. He also discovers music, forms a band and meets Paul McCartney and George Harrison.
I quite like the Beatles. I knew a bit about John Lennon’s early life, but not a lot. I have no idea how accurately this depicts his life and relationships, but I found it a bit boring. The relationship between John and his mum seemed a bit creepy and the background music was ever-present, quite dominating and not that great, which is disappointing when it is a film about one of the greatest composers of his generation.
Set in Russia quite some time ago, Anna Karenina tells the story of Anna (Keira Knightly) who is happily married to the staid and steady (and boring) older man, Karenin (Jude Law) until she meets the charming soldier, Vronsky (Aaron Taylor-Johnson). They cause a scandal in society with their flirtatious looks and dancing and eventually their love brings them both down.
This is an extremely beautiful film. Cinematically stunning, with the theatrical absurdity that I have long loved from Tom Stoppard. For me, the film was a bit long, but it was so stunning that I didn’t mind. I didn’t even mind Keira Knightly’s pouting or the long, drawn-out shots with the single tear slowly tracking down her face. It was worth it even just for the spectacular dance sequences with the languid and stunning movements. I wish I’d seen it on the big screen.
Anna Karenina won Oscars for Best Achievement in Costume Design and was nominated for Oscars for Best Achievement in Cinematography, Best Achievement in Music Written for Motion Pictures, Original Score and Best Achievement in Production Design. It was also nominated for a Golden Globe for Best Original Score – Motion Picture, won a BAFTA for Best Costume Design and was nominated for BAFTAs for Best British Film, Best Cinematography, Best Production Design, Film Music and Best Make Up/Hair