Do time travel storylines do your head in? Then this may not be the best film for you. Because I love time travel stuff, but I drifted off for a moment in this and suddenly was totally lost.
Essentially, it starts in a future where everything is a bit crap, with bad guys coming from everywhere and the X-Men can’t cope. So, somehow (mutant skills. Don’t question it), Wolverine (Hugh Jackman) is sent back into the past to change history. And things get awesome.
There are all of the usual fighting and explosions and all of that stuff. Plus the older X-Men folks and the younger ones – we got them all. Really, if you are a fan of the X-Men films, I think you’ll like this. Be hard not to.
X-Men : Days of Future Past was nominated for an Oscar for Best Achievement in Visual Effects
The mutants are out, the whole world knows about them. Then someone comes up with a cure (source from a mutant whose power is that he strips people of their powers) and there is outrage. Some mutants want the cure and to be normal, but there is also the sinister side of things – the government will force the cure on the mutants. Plus, it will be weaponised. Oh, and the good chick who died at the end of the last film? She’s not dead. But she’s evil. Awesome.
I quite liked this film, although I didn’t like Wolverine’s attempts to be cheeky. He is brooding and, for once, I like that brooding. Don’t make him have snappy one-liners and the like. Just don’t. Oh, and there was a guy with amazing wings. Oh, and finally, how is this the last stand when there are more films to come? Stupid title for a film.
Juno (Elliot Page) is sixteen and pregnant. She decides to have the child and adopt it out to couple she finds in the Pennysaver (I’m fairly certain this is like the Trading Post), Vanessa (Jennifer Garner) and Mark (Jason Bateman). The film follows Juno, the couple, Juno’s father (JK Simmons) and step-mother (Allison Janney) and the father of the child, Paul (Michael Cera) through the pregnancy.
Written by Diablo Cody who later went on to write United States of Tara. I know there are people who can’t stand this film – the whole extremely witty banter and constant sarcasm. I love it. I think the cast is marvelous, especially Elliot Page. The writing is marvellous. The only thing I find a little odd is the fact that Vanessa and Mark really seem to have absolutely nothing in common. I get that they kind of have to, given the way the plot unfolds. That and, like in The Easy A, the parents are ridiculously cool, supportive and delightful. But, I love them, and I love the quirky, silly music and the nifty little animations and all of that stuff.
Diablo Cody won an Oscar for Best Writing, Original Screenplay. Juno was nominated for Oscars for Best Achievement in Directing (Jason Reitman), Best Motion Picture of the Year and Best Performance by an Actress in a Leading Role (Elliot Page)
It’s the future. Highly trained people can infiltrate your dreams and steal secrets. Cobb (Leonardo DiCaprio) has been doing this for years, and his own mental stability is questionable. He had a wife, Mal (Marion Cotillard) who passed away, but her image is now sneaking into the scenarios and sabotaging his work. He and his business partner Arthur (Joseph Gordon-Levitt) are hired by Saito(Ken Watanabe) to go one step further. They are to penetrate the dreams of businessman Robert Fischer (Cillian Murphy) and plant an idea – the concept known as inception. They gather together a team consisting of Cobb, Arthur, chemist Yusuf (Dileep Rao), forger Eames (Tom Hardy) and architect Ariadne (Elliot Page) and take the challenge.
I loved this film so much. It’s got heaps of running, fighting, shooting and explosions that I love in an action film, but then there is plot. Heaps of plot. Confusing and challenging, but ultimately there was a cool logic that made sense – provided you buy into the world of the film. Which I totally did. What’s more, it’s a film with an ambiguous end. I love an ambiguous end. Thanks, Christopher Nolan.
Inception won Oscars for Best Achievement in Cinematography (Wally Pfister) Best Achievement in Sound Mixing (Lora Hirschberg, Gary Rizzo and Ed Novick), Best Achievement in Sound Editing (Richard King)and Best Achievement in Visual Effects (Chris Corbould, Andrew Lockley, Pete Bebb and Paul J. Franklin) and was nominated for Best Motion Picture of the Year, Best Writing Original Screenplay, Best Achievement in Music Written for Motion Pictures Original Score and Best Achievement in Art Direction.
I loved the humour and the absurdity of this film. I loved the fact that it had heart but without getting too mushy. Well, perhaps one scene, but even that was so absurd that I was giggling through my tears.
The premise is pretty straightforward. Frank is a cook in a diner whose gorgeous wife, Sarah is recovering from addictions – at least, recovering until Jacques turns up to get her using again before stealing her from Frank. In response, Frank becomes his own super hero, the Crimson Bolt and after reluctantly accepting help from his new sidekick, Boltie he sets out to save his wife.
Perhaps the fact that it is in the Nightmoves program, and perhaps because the MIFF guide refers to grindhouse cinema and Troma, I should have been aware of the severely dark nature of the film. I wasn’t, and the graphic violence surprised me (although not as much as, many years ago, seeing Dusk Til Dawn and not knowing it was a vampire film), but I didn’t mind spending a few minutes during the film with my hands over my eyes. I was very keen to see Super after reading lots of good stuff about it, even when I realised that most of the good stuff I read had been on the Twitterfeeds of Rainn Wilson and Elliot Page, and being stars of the film, were probably somewhat biased. What can I say – when you’re in something this good, Tweet away.