Captain Stanley (Ray Winstone) is a British man living in the middle of the hot, harsh outback with his wife, Martha (Emily Watson). He has captured two notorious outlaws, the ‘simple’ Mike Burns (Richard Wilson) and his brother, Charlie (Guy Pearce). Stanley makes a deal with Charlie for him to find his even more wicked brother, Arther (Danny Huston) and bring him in, or else he and Mike will hang for the rape and murder of the Hopkins family. Charlie accepts the deal, leaving Mike in jail, but it is not a smooth process on either end, and has many tragic consequences.
It is a very hard film; beautiful but harsh scenery, an amazing and torturous soundtrack by Nick Cave and Warren Ellis, and strong, painful performances, most notably from Ray Winstone. There is no hope for anyone. This country will destroy them, whether it the indigenous culture destroyed and seeking some kind of vengeance, the legacy of white settlement made up of criminals or
the harshness of the land itself, there is no hope. I wouldn’t recommend this film if you are feeling a bit down. It’s tough, but wonderful.
There has been some kind of nuclear incident (it’s not explained in too much detail) and the world is dying. Man (Viggo Mortensen) is walking with Boy (Kodi Smit-McPhee) heading south, hoping to find warmth and food as the nuclear winter continues to descend on them. The world is grey and horrible, everything is dead, there are no animals, no living plants, and the few survivors will do anything to survive.
Depressing? Well yes, very much so. The film has captured the dark and awful tones of the novel by Cormac McCarthy, and show a man who still has some hope for his son’s ultimate survival, against all the odds and perhaps even against any sense. The film does have an odd thing going for it, and that it is the soundtrack; by Nick Cave and Warren Ellis, the music gives a strange and mysterious sense of hope. This juxtaposition shouldn’t work, yet it is perfect.
The Bondurant brothers are bootleggers working in rural Virginia, managing stills in the hills and running spirits into towns. Legend is that the brothers are indestructible, which seems likely during several of the particularly violent and gory scenes in this exceptionally violent and gory film. Things are going well for the Bondurant brothers, with young Jack (Shia LaBeouf) finally stepping up into the business. Then there is a new lawman in town – the ever-creepy Charlie Rakes (Guy Pearce) and things getting rapidly worse.
I am currently addicted to Boardwalk Empire and have been enjoying the Ken Burns documentary on the prohibition that’s been playing on SBS. It was great to see the other side of the prohibition, especially tied in with aspects of the depression. But it wasn’t the plot that made the film for me. It was the characters. In many ways, Jack was the weak link of the characters. I didn’t want him to get cocky. He spent his life not living up to his brothers, and I just wanted him to do what he needed to and not be an idiot. But, without him being an idiot, it would have been a different story. It just seemed a bit clichéd to have one character’s arrogance bring down the whole story. The annoyingness of Jack was by far outweighed by the other marvelous characters, most notably for me, Charlie Rakes. Guy Pearce looks incredibly creepy in this role, with his shaved parting and his foppish suits, but it was the coldness behind his camp behaviour that made him the evil character that he was. In direct contrast was Tom Hardy’s portrayal of Forrest Bondurant. Straight talking, when he talked. A man with no airs, no graces and certainly no bullshit. Yet he was the criminal that the audience sided with and loved.
Lawless looks into a time in the world where people were struggling and the line between legal and moral was blurred. It’s a great yarn. Enjoy it.