Bruce Wayne (Christian Bale) is travelling the world, attempting to find way to get past the murder of his parents that he witnessed as a small child. After training in some mountains with a mysterious group, he eschews their offer to join them and returns to Gotham, to his butler, Alfred (Michael Caine) in the hope of improving the lives of the residents. But there is a bad guy, the Scarecrow (Cillian Murphy) who is causing problems. Bruce meets Fox (Morgan Freeman) who is in research and development, and Batman Begins.
Having used The Dark Night as a teaching text, I tend to be overly focused on that film over either this or the final in the trilogy. Watching this again reminds me of just how good it is – characters are set up, a strong story is told and it is left on the edge of the next film. Wonderful.
Batman Begins was nominated for an Oscar for Best Achievement in Cinematography.
It’s the future. Highly trained people can infiltrate your dreams and steal secrets. Cobb (Leonardo DiCaprio) has been doing this for years, and his own mental stability is questionable. He had a wife, Mal (Marion Cotillard) who passed away, but her image is now sneaking into the scenarios and sabotaging his work. He and his business partner Arthur (Joseph Gordon-Levitt) are hired by Saito(Ken Watanabe) to go one step further. They are to penetrate the dreams of businessman Robert Fischer (Cillian Murphy) and plant an idea – the concept known as inception. They gather together a team consisting of Cobb, Arthur, chemist Yusuf (Dileep Rao), forger Eames (Tom Hardy) and architect Ariadne (Ellen Page) and take the challenge.
I loved this film so much. It’s got heaps of running, fighting, shooting and explosions that I love in an action film, but then there is plot. Heaps of plot. Confusing and challenging, but ultimately there was a cool logic that made sense – provided you buy into the world of the film. Which I totally did. What’s more, it’s a film with an ambiguous end. I love an ambiguous end. Thanks, Christopher Nolan.
Inception won Oscars for Best Achievement in Cinematography (Wally Pfister) Best Achievement in Sound Mixing (Lora Hirschberg, Gary Rizzo and Ed Novick), Best Achievement in Sound Editing (Richard King)and Best Achievement in Visual Effects (Chris Corbould, Andrew Lockley, Pete Bebb and Paul J. Franklin) and was nominated for Best Motion Picture of the Year, Best Writing Original Screenplay, Best Achievement in Music Written for Motion Pictures Original Score and Best Achievement in Art Direction.