Jules (Julianne Moore) and Nic (Annette Bening) and their two children Joni (Mia Wasikowska) and Laser (Josh Hutcherson) live a pretty idyllic life – they have plenty of money, Joni is about to head to college and things are great. Then, when Joni turns 18, Laser pushes her to contact their donor father, Paul (Mark Ruffalo). When Paul enters their life, things become difficult for everyone.
It is a great film, which is clear by the quality of the cast it attracted. The story is plausible and it doesn’t shy away from difficult scenes. Having said that, I did wonder (spoiler alert) about how easily a woman in a strong, long-term same-sex relationship was wooed away by a man. Seems quite insulting to the strength of the relationship and dangerously could be seen to suggest that a lesbian just needs to meet the right man. Perhaps it was just that it all seemed fast – the passing of time is not overly clear throughout the film. There are a couple of moments where characters seem to take the easy way out of a situation, but for believable reasons. As far as a story is concerned, this is generally a good yarn.
The Kids Are All Right was nominated for Oscars for Best Motion Picture of the Year, Best Performance by an Actress in a Motion Picture (Annette Bening), Best Performance by an Actor in a Motion Picture (Mark Ruffalo) and Best Writing, Original Screenplay (Lisa Cholodenko, Stuart Blumberg).